21st Century Indoor-Outdoor Living
'In its most real meaning a garden ... must be a place of repose, of contemplation, of spiritual communion with Nature. There can a man loaf, and invite his soul; and, though that soul may be shrivelled and shrunk ... it will swell and grow and blossom in the atmosphere of the place.'1
- Mrs. Basil Taylor
Dear Reader,
In 1960, Carl G. Jung - probably the most influential psychiatrist and psychoanalyst to have ever walked the Earth - wrote: ‘…the lack of meaning in life is a soul-sickness whose full extent and import our age has not yet begun to comprehend.’2 We are now experiencing the fate that Jung prophesised. What we observe in the population today: boredom, demoralisation, low self-esteem, feelings of inferiority, defeatism, depression, anxiety, guilt, frustration, hostility, spouse or child abuse, insatiable hedonism, abnormal sexual behaviour, etc.3 - are the destructive symptoms of soul-sickness, and gaining a greater foothold with each passing day.
In the context of architecture and the urban landscape, the problem of soul-sickness begins with the home, and what is euphemistically called a ‘garden’ today. In such ‘gardens’ or 'outdoor rooms' one sees flat, open, and agoraphobic4 expanses of grey 'brutalist' concrete, 'tarmac' and manicured lawns; a tangle of bushes, one or two private cars, and the preternaturally ugly ‘wheelie bin’ and its orbit of litter; but few people, if any, because conditions for outdoor stays [the key word is staying], is more or less impossible.
Under these conditions most residents prefer to remain inside,5 what are most certainly sensory-reduction environments,6 in front of the television: exposed daily to the insidious influence of various political and non-political strategies [psychological warfare, propaganda, advertising, etc.] used to change the feelings and thoughts of the masses.7 Arguably, its most effective, most dangerous, and most secret weapons are those that we cannot see at all. Fear is one of them.8
Something is missing.9 Something has always been missing - and only our own conditioning, and subsequent blindness, has kept us from developing it.10 This is a garden in its most real meaning:11 a seamless extension of the main living areas, blending the prospect of casual leisure and visual pleasure with refuge from the wind, the rain, the strong rays of the sun, and the eyes of an inquisitive world outside. But perhaps its most important role is as a space in-between the inside and the outside – a sort of third world12 or temenos ‘13 cut off’ from from mundane, everyday life and phenomena. Here, if there is a wish to do so, one can set aside a brief period of time in daily life- five minutes a day are sufficient - and rest in the act of contemplation: Rest in the presence of nature's flows and rhythms. Rest in the breath [the ‘life force’, or ‘vital principle’]. Rest in stillness and quiet.14
For each of us who does this, a day will come when one will not only feel the fruits of inner peace and calm;15 but also, one will come to know the spiritual principle that gives life its profound meaning and purpose – the spiritual principle that fuelled the rise of ancient civilisations and a ‘golden age’ in architecture: when ancients built monuments; that a thousand years after their abandonment, still resonate with an energy unlike anything in the modern world.16, 17
With all this in mind, In-between Space has developed a palette of concepts or ‘principles’ that combines the art of remodelling; the simplicity of 'warm minimalism' and Japanese-Thai traditions in timber frame joinery and building, spirituality and, the association between architecture, nature, and human culture. In their various individual expressions, these concepts not only reject the destructive character of tabula rasa ['blank slate'] urbanism and by extension the modernist aesthetic which dominates our age, but also the refusal to apply the source of all genuine inspiration - the rich and ephemeral beauty pulsating throughout the natural world - to the creation or estimation of residential architecture and urban space.18, 19
Often taking a critical attitude towards both of these totalist20 ideologies, this still developing cross-disciplinary design encyclopaedia is an attempt to prove that the challenging quest of adapting and revitalising the existing for 21st century living can be often based upon small changes21 - sensitive yet powerful subtractions and additions - into, between or beside an existing exterior space;22 whilst also providing a third alternative or Middle Way – a philosophical and practical view between the false extremes of inside and outside - for hundreds of thousands of people, who secretly yearn for this kind of beauty and spiritual presence in their homes and as part of everyday life.
Thank you.
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Matte Painting
Note 1
Click on any image to open the lightbox gallery: a feature that allows you to view and enlarge images in full-screen mode, as well as switch between them horizontally.
Fig. 1-7. South-facing semiprivate front yard seen from the south-west. The wooden elevated verandah walkway - called the ‘engawa’ in traditional Japanese architecture - brings together the inside of the house with the outside and opens on to a compact but lush assemblage of plants that has a tranquil effect upon the viewer and functions as a natural shield of privacy.
Fig. 8-14. North-facing private backyard seen from the north-east. The heart of the large courtyard is its broad wooden open pavilion or sala, around which the high walls and a carefully composed arrangement of lightly foliaged tall shrubs and grasses create the feeling of enclosure, a retreat where solace and refuge can be taken from the larger world, and a restful, restorative spot in which to be in and to contemplate nature.
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Isometric Diagramme: Strategy & Tactics
Semiprivate Front Yard
Note 2. Dead Space
In the context of the UK’s existing housing stock, dead space can be defined as residential outdoor space – typically a semiprivate front yard and private backyard - in which one sees concrete covering land which once supported hundreds of varieties of plant and animal life; a hedge or tangle of bushes; one or two private cars, and the preternaturally ugly ‘wheelie bin’; but few people, if any, because conditions for outdoor stays [the key word is staying] is more or less impossible. Under these conditions most residents prefer to remain inside, what are most certainly sensory-reduction environments, in front of the television – the greatest mass mind control tool ever created.
Note 3. Intervention
Floor, wall, and ceiling planes serve to define and isolate a portion of space. Of these, the wall plane, being perpendicular to our normal line of sight, has the greatest effect as a spatial boundary. It limits our visual field and serves as a barrier to our movement. Intervention is a remodelling procedure, often distinguished by a small, non-structural cut or subtraction of a parapet – the ground floor masonry wall below the picture window facing residential outdoor space. Without a parapet to block, a window gives way to a door-window [Fig.5] – a generously proportioned opening bringing a rich source of natural light, more expansive views of the garden's dazzling greenery, and a two-way spatial continuum between the main living areas, outdoor space, and Nature's rhythms and cycles.
Note 4. Prospect
The prospect principle suggests people prefer spaces and environments in which they can easily survey their surroundings i.e., unobstructed lines of sight [or views] from multiple vantage points, so that internal and external areas can be easily surveyed and contemplated for both opportunity and hazard. In the context of the home, natural and architectural elements incl. open or semi-open floor plans; deep, elevated decks or terraces; the generous use of glass doors; slatted filters and screens; water features; and a backdrop of low-level planting [e.g. shrubs, perennial flowering plants] less than or equal to 1m [42in].
Note 5. Refuge
The refuge principle suggests people prefer spaces and environments in which they can quickly hide or retreat to safety if necessary e.g. edges rather than the middle of spaces, spaces with ceilings or covers overhead, and spaces with few access points [i.e., protected at the back or the side]. In the context of the home, natural and architectural elements incl. roofed, open-air architecture [e.g. a verandah or pavilion] adjacent to the outside of the main living areas; lowered or varied light colour, temperature or brightness; sober and subdued internal finishes; semi-opaque shades and blinds; and tall grasses, lightly foliaged tall shrubs, and tree canopies.
Private Backyard
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'Before we break through the last bushes and out of cover to the free expanse of the meadow, we do what all wild animals ... would do under similar circumstances: we reconnoiter, seeking, before we leave our cover, to gain from it the advantage which it can offer alike to hunter and hunted - namely to see without being seen.'
- Konrad Lorenz
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- Kisho Kurokawa
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Orthographic Impressions
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'We live and act within a world whose deeper aspects are hidden from our physical senses. Yet each of us possesses ther faculties which, when cultivated, can lift the veil that separates us from spiritual knowledge.'
- Arthur G. Zajonc
From left to right: Dollis Hill Avenue by Thomas-McBrien Architects | Brunswick by Nathan Burkett Landscape Architecture | Woodland Residence by Stimson Studio | St Petersburg by Mokh | Bluebells in Ferns by Karl Gercens | Salvia Amethyst [Woodland Sage] | Twickenham Garden by Tom Massey | Grass by Unknown | Bamboo by Ian Albinson | Shisen-do Jozanji Temple by Mugi | Granite Tapered Saddle Stone | Kazutsu no le [House with a Wind Chiney] by Toshihito Yokouchi Architect & Associate | Amanu Lounge Chair by Yabu Pushelberg & Tribu | Pure Sofa & C-Table Teak by Andrei Munteanu & Tribu | Kos Dining Table & Kos Bench by Studio Segers & Tribu | Hat House by Tina Bergman Architect | South London Garden by Studio Cullis | Robin by Peter Staniforth | Toluca by Terremoto Landscape | Newry by Straw Brothers | Camberwell by Andy Stedman Design.
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'Only rarely, here at the opening of the twenty-first century, is architecture both art and commodity. The rest merely provide shelter with a minimum of means.'
- Stephen Kieran and James Timberlake
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Internal Decorative Finishes
Above. Natural Clay Plaster [Grey, Olive & Brown]. Brand: Clayworks
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Engawa Verandah
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'[Frank Lloyd] Wright openly admired this particular characteristic of the Japanese dwelling [traditional Japanese post-and-lintel system of construction], having delighted in the fact that it was impossible to tell precisely ‘where the garden leaves off and the garden begins.'
- Edward S. Morse
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Sala Pavilion
Fig. 13-17. Finished geometry, edges and water features @ semiprivate front yard/private backyard 1.1-1.4
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Construction Operations
Preliminary surveying
Specification:
Total external area:
The contractor verifies the major dimensions, roadway geometry, property boundaries, construction limit line, stockpiling areas, and other horizontal measurements.
Tbc.
Clearing and demolition
Specification:
Total external area:
All trees, shrubs, rock outcrops, slabs, structures, and utility lines within the project area that are to be abandoned or moved. Nb. All trees so designated on the drawings are wrapped or enclosed to protect them from root or bark damage. Some trees may be temporarily transplanted to avoid construction damage.
65 m²
Topsoil stripping and stockpiling
Specification:
Total external area:
The contractor removes all topsoil within the grading limits and stockpiles the soil in whatever areas will be convenient for future respreading at the completion of the project.
65 m²
Rough grading
Specification:
Total external area:
By blasting, trenching, backfilling, and cutting and filling to the proposed new subgrade, the contractor prepares all subgrade surfaces to receive foundation footings and subbase material for below- and on-grade structures.
65 m²
Foundation footings
Specification:
Total external area:
At the completion of the rough grading, 'in situ' or 'cast-in-place' reinforced concrete components such as a slab-on-grade or plinth are set and cured at the site in prefabricated engineered formwork.
26 m²
Finish grading
Specification:
Total external area:
The project is staked out and resurveyed to establish the finished geometry and the elevations of paving, planting areas, and edges. The paved areas are then graded to finer tolerances, and base material is installed. Topsoil is spread over the rough grades in the planted areas to within a tolerance of ±25 to 75 mm [1 to 3 in].
33 m²
Japanese timber framed building
Specification:
Total external area:
The contractor assembles various prefabricated timber components such as post-and-lintel skeleton framing on a foundation of natural staddle stones; plank-and-beam framing [decking supported directly by joists]; and single and dual pitched roof structures framed with rafters and spanned with a two-layer system of decking and shingles.
23 m²
Planting and seeding
Specification:
Total external area:
The contractor plants living barriers or semi-transparent privacy screens - native and exotic, medium-to-tall, and lightly foliaged trees and bushes; a small proportion of compatible exotics; massing plants; moss, rocks, and water features - meant to be seen while seated from multiple viewpoint outside the garden.
16 m²
Project Data
Summary
Client:
Project name:
Project category:
Project type:
Building type:
Location:
Completion:
Existing building dimensions
Semiprivate front yard area:
Private backyard area:
Total external area:
Ground floor area:
First floor area:
Total internal area:
Total useful floor area [TUFA]
Existing 2-bed 'back-to-back' mid-terrace
Home for the future
Home for the future
Private
Home for the future
Residential
Remodelling
Home for the future
Residential
Remodelling
2-bed 'back-to-back' mid-terrace
Greater Manchester, North West England
2025
Greater Manchester, North West England
2025
17 m²
48 m²
48 m²
65 m²
50 m²
50 m²
100 m²
115 m²
100 m²
133 m²
133 m²
Note 1. Site area [SA]
The term ‘site area’ [SA] means: ‘…the total area of the site within the site title boundaries [or the total area within the site title boundaries defined by the employer as the site for the building], measured on a horizontal plane.’; NRM1 [New Rules of Measurement]: Order of cost estimating and cost planning for capital building works.
The term ‘site area’ [SA] means: ‘…the total area of the site within the site title boundaries [or the total area within the site title boundaries defined by the employer as the site for the building], measured on a horizontal plane.’; NRM1 [New Rules of Measurement]: Order of cost estimating and cost planning for capital building works.
Note 2. Total usable floor area [TUFA]
The term 'total useful floor area' [TUFA], or 'total usable floor area' means: ‘...the total area of all enclosed spaces measured to the internal face of the external walls.’; Part L of the Building Regulations. It suggests that this is equivalent to the 'gross floor area' as measured in accordance with the guidance issued to surveyors by the Royal Institution of Chartered Surveyors [RICS].
The term 'total useful floor area' [TUFA], or 'total usable floor area' means: ‘...the total area of all enclosed spaces measured to the internal face of the external walls.’; Part L of the Building Regulations. It suggests that this is equivalent to the 'gross floor area' as measured in accordance with the guidance issued to surveyors by the Royal Institution of Chartered Surveyors [RICS].
References and Footnotes
1. Mrs. Basil Taylor [1912]. Japanese Gardens.
2. Carl G. Jung [1960]. The Structure and Dynamics of the Psyche [Collected Works of C. G. Jung].
3. Theodore J. Kaczynski [1995]. Industrial Society and Its Future.
4. Agoraphobia [n.] a subconscious mental and behavioral disorder, specifically an anxiety disorder characterised by symptoms of anxiety in exposed, large, open spaces without cover or concealment.
5. Jan Gehl [2011]. Life Between Buildings: Using Public Spaces.
6. ‘The modern office building is the archetypal example of [a sensory-deprivation environment]: The spaces are square, flat and small, eliminating a sense of height, depth, and irregularity. The decor is rigidly controlled to a bland uniformity from room to room and floor to floor … Most modern office buildings have hermetically sealed windows. The air is processed, the temperature regulated. It is always the same. The body’s largest sense organ, the skin, feels no wind, no changes in temperature, and is dulled ... The light remains constant from morning through night, from room to room until our awareness of light is as dulled as our awareness of temperature, and we are not aware of the passage of time … When we reduce an aspect of environment from varied and multidimensional to fixed, we also change the human being who lives within it. Humans give up the capacity to adjust, just as the person who only walks cannot so easily handle the experience of running. The lungs, the heart and other muscles have not been exercised. The human being then becomes a creature with a narrower range of abilities and fewer feelings about the loss. We become grosser, simpler, less varied, like the environment’; Jerry Mander [1978]. Four Arguments For The Elimination Of Television.
7. A. M. Meerloo [1956]. The Rape of the Mind: The Psychology of Thought Control, Menticide, and Brainwashing.
8. Daniele Ganser [2005]. Fear As A Weapon: The Effects of Psychological Warfare on Domestic and International Politics.
9. Jan Gehl [2011].
10. Vaclav Havel [1 Jan 1985]. The Power of the Powerless Mass. Citizens Against the State in Central Eastern Europe.
11. Mrs. Basil Taylor [1912].
12. Kisho Kurokawa [1988]. Rediscovering Japanese Space.
13. Temenos [n.]The ancient Greeks coined the word temenos to indicate a piece of land … near a temple or sacred enclosure, set aside to create a sanctuary. The word temenos in Greek literally means, ‘cut off’ and signifies an area marked off from common usage or daily activity, a safe or protected space, isolated from everyday living spaces … for the purpose of spiritual, emotional and psychological transformation. For the ancient Greeks, it was important not to pollute temenos with daily concerns and habits and for that reason the area was sectioned off from the rest of the world.’; Anne Bogart [2016]. Temenos.
14. Alan Seale [2019]. Resting In the Act of Contemplation.
15. Rudolf Steiner [1904]. How to Know Higher Worlds: A Modern Path of Initiation.
16. Agrippa’s Diary [2023]. There Is But One Religion In All The World - Manly P. Hall.
16. Agrippa’s Diary [2023]. There Is But One Religion In All The World - Manly P. Hall.
17. Howdie Mickoski [2019]. Falling for Truth: A Spiritual Death and Awakening.
18. Botond Bognar [1985]. Contemporary Japanese Architecture: Its Development and Challenge.
19. Mark Anthony Signorelli; Nikos A. Salingaros [2012]. The Tyranny of Artistic Modernism.
20. ‘Thought reform [or ‘brainwashing’, ‘loaded language’, ‘mind control’, ‘propaganda’ etc.] has a psychological momentum of its own, a self-perpetuating energy … When we inquire into the sources of this momentum, we come upon a complex set of psychological themes, which may be grouped under the general heading of ideological totalism … And where totalism exists, a religion, a political movement, or even a scientific organisation becomes little more than an exclusive cult’; Robert J. Lifton, M.D. [1961]. Thought Reform and the Psychology of Totalism: A Study of ‘Brainwashing’ in China. Originally published by W. W. Norton & Co, pp. 419.
21. Nabeel Hamdi [2004]. Small Change: About the Art of Practice and the Limits of Planning in Cities.
22. Graeme Brooker; Sally Stone [2004]. Re-readings: Interior Architecture and the Design Principles of Remodelling Existing Buildings.
In-between Space 2024
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